This does show thatĭifferent mouthpieces will get different results. Not need to pull like I did with this mouthpiece. So he will have different results, and probably will My chops are not jazz chopsĪnd the reed I used is way harder than what Greg will probably use in I used the sameģ ¾ Signature Series Legère reed for both. For the second test, I needed to pull 1.7mm. Made a second test using Greg’s Perfectone (Elkhart Indiana) The first test, I pulled 0 at the barrel and one cannot pull in the centerįor this horn, when I tested this using my B45 mouthpiece.
See how to interpret these results on the Model Comparison Page. Intonation results taken when playing loud and not lipping. Unfortunately there is noĪrticulated C#/G# key as I expected with the one-piece construction. LH joint at bottom: Not measured because this model is unibodyĬonstruction. This hard rubber unibody clarinet has a brass sleeve that extends all the way along the keyed joint to the third finger of the right hand! (See the picture of this at the bottom of the page.) This instrument is way better than Pruefer's Silver Throat. The two owners are named on theĬase as Kassandra McIntire (probably the first owner) and Janice I am told that the red pads were what were on the Festivals originally. Or perhaps the first two owners only played it a month each. Repadded with stunning bright red calf skin pads. (All the pad cupsĬome down flat onto the tone hole.) Extra love for this horn was shownīy the last owner. Sturdy, and the construction shows careful design. Really liked this model, and I can see why. Who allowed me to work on this instrument.